When George Plimpton of The Paris Review [pages 6-7] asked Hemingway why he rewrote so many times, he said:
I do it to get the words right
that there are many ways to tell the same story
But as I begin the rewrite I am excited and enthused and delighted by what lies ahead, and altogether a rather more grown-up writer than the one who began this process. (I reverted, when I first read the reports, to a spoilt, five-year-old, misunderstood child but by the time we met I had, mercifully, recovered my senses - and my age - and arrived full of ideas for ways to rewrite along the lines they suggested.)
I am still searching for a title. At the moment it is SONG of the STARS but I hope a better one will occur as I rewrite. But if any of you should come up with a title for a novel set in late Victorian/early Edwardian and just post-World-War-One England and Scotland, whose central dramatic event is my protagonist's survival of the sinking of the Titanic and her change of heart and character as she tries to cheer her frightened fellow passengers beneath the bright stars (it was a calm, cold, extraordinarily starlit night) I would love to hear from you.